Hand-coloured portrait of two lovers, immobilised in marble. An extension of An Ode to Sanctuary, this reprised story is a study of tenderness and adoration. It is another look at the ways in which we find safety as humans. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux's 1947 Le Musee Imaginaire (Museum Without Walls).